![]() The Jewish Museum, New York, and Yale University Press accompanies the exhibition Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976. The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? How did they draw on earlier art forms even as they forged new styles and methods? And what were the cultural forces that rallied public interest in Abstract Expressionism and sparked rancorous debate about it? Drawing on recent critical, historical, and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement. It also presents an extensive commentary on the two most influential critics of postwar American art, Clement Greenberg and Harold Rosenberg, whose powerful views shaped perceptions of Abstract Expressionism and other contemporary art movements. The essays, by distinguished contributors in a number of fields, trace the influence of Abstract Expressionism into the mid-1970s and its connection to subsequent art styles; examine the movement's place within the literary and intellectual culture of New York; explore contemporary attitudes toward sculpture and representation; and consider the relation of Jewish issues to postwar American art. The book also features a magisterial essay by the eminent critic Irving Sandler and a copiously illustrated cultural timeline by Maurice Berger. |
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